Plot Summary forLife of Pi(2012)
Based on the best-selling novel by Yann Martel, is a magical adventure story centering on Pi Patel, the precocious son of a zoo keeper. Dwellers in Pondicherry, India, the family decides to move to Canada, hitching a ride on a huge freighter. After a shipwreck, Pi finds himself adrift in the Pacific Ocean on a 26-foot lifeboat with a zebra, a hyena, an orangutan and a 450-pound Bengal tiger named Richard Parker, all fighting for survival.
According to reports, most of the sea drift scene shot in an old airport in Taiwan. The crew in this place to build a large pool, all sea scenes in the film where the film was shooting finished here. Film props designer David Gropman said: Our large pool length of 60 meters, 30 meters wide and 2.7 meters deep, we were able to create 50 different types of waves.
据介绍，海上漂流的戏份大部分是在台湾台中的一个废旧机场里完成的，剧组在这个地方搭建了一个大的水池，影片里的海上场景就在这里完成。影片道具的设计师：大卫·戈洛普曼介绍说：“我们的大水池长60米，宽30米，深2.7米，我们能够造出50种不同的波浪。”
The Tigers was produced by Bill Weston. He is ‘The Chronicles of Narnia: the Lion, the witch, and the wardrobe’ CG biological visual effect director. He said: We collected more than 100 hours of tiger video material obsercation and copy their manner and behavior. But in the film still 24 shots with four real tiger shooting.
老虎由曾制作过《纳尼亚传奇：狮子、女巫、魔衣橱》中CG生物的视觉特效总监比尔·韦斯顿哈夫负责，“我们收集了长达100小时的老虎视频素材观察和复制它们的神态与行为，不过片中仍然有24个镜头是用四只真正的老虎拍摄的”。
In the ‘life of Pi’ production of TV, Ang Lee talked about the understanding of the film: To make the film he know themselves, understand the world and the process of the relationship between people. In my memory, the same meaning is also expressed in his ‘ten years to sleep the film Dream’ book. His every film is directly to one's heart's desire.
在《少年pi》的制作特辑里，李安谈到了对影片的理解：拍这部电影是他认识自己、认识世界、认识人与人之间关系的过程。如果没记错的话，同样的意思在他的《十年一觉电影梦》一书中也表达过.他的每一部电影都直达人内心的欲望。
Ang Lee said: shoot this film is an impossible task, but his own hard work four years after all done. The first time I felt the 3D is an integral part of a movie, as well as the proportion of frame transformation layers alternating clips, everything is in order to the story itself. Story from adventure to become some fantasy, Pi actually do not have a lot of inner expression lens, but I can feel it.
李安说，拍这电影是不可能完成的任务，但他自己辛苦努力四年终究做到了。我第一次如此感受到3D是一部电影不可分割的一部分，以及变换的画幅比例、层层交替的剪辑，一切都是为了故事本身。故事从冒险到有些奇幻，PI其实没有很多内心表达的镜头，但我可以感受到它。
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