What "The Big Blue" narrated is how two divers realize the true meaning of life in the race: Yak (Jean Marc Barr) who deeply loves the sea has wanted to be a companion with the sea. Even if his father died in a diving accident when he was young, Yak’s love for the sea had not been changed.
《碧海蓝天》讲述的是两个潜水员在竞技中体会出人生真谛的故事：热爱大海的雅克（Jean-Marc Barr饰），一直想与大海为伍，即使他在年少的时候，父亲因一次潜水发生意外而被大海吞噬，雅克对大海的爱始终没有改变。
However, in an unexpected meeting, Yak got to know a beautiful young girl Joanna (Rosanna Arquette) and fell in love with her. Since then, Yak's life became uncontrollable, and Yak was at a loss with the choice between Joanna and the sea.
但是在一次偶然的邂逅中，雅克认识了年轻美丽的女子乔安娜（Rosanna Arquette饰）并且爱上了她，自此之后，雅克的生活似乎变得无法掌握，雅克六神无主地旁徨在大海与乔安娜的抉择中。
Enzuo was skilled in the diving similarly in the sea and Joanna's choice. Therefor, he was infatuated with actually the talent which taken to own sense of achievement and “the reputation”. The friendships between two children were actually more establishment above the competition. After grown-up Yak and Enzuo drifts apart, however, the destiny always link them in the same place. A challenge diving limit's competition let them have a reunion once more, this meeting was between the life and the sea splendid dialog launches in light of this. This piece was shown at the beginning of the ridge city film preview in 1988. It described individual to integrate realistic social with difficulty in the difficult position, hence,it transferred to seek for the dream in another kind of life. It was having the thick autobiography color. Human was always unceasingly to do the limit challenge, however,it returned the sea as final result and formed a blue tone movie.
恩佐虽同样精于潜水，但他所迷恋的却是天赋带给自己的成就感与“名誉”。两个孩子之间的友谊其实更多的是建立在竞争之上。成年后的雅克与恩佐各奔东西，然而命运的纽带却似乎总将他们系在一起。一次挑战潜水极限的比赛让他们再次重逢，生命与海洋之间的精彩对话就此展开。本片为1988年坎城影展的开幕大片，描述个人难以融入现实社会的困境中，因此转而寻找梦想中的另一种生活，带著浓厚的自传色彩。人类不断向极限挑战，但最后以回归大海为终，为一部蓝色调的电影。
Compared that it static state scene implication esthetic sense's great writer, some submarine photography through ingenious used up can make one kind of tall and pleasing to the eye ideal condition. Certainly, exceptong this movie,it also has many movies to take the photograph in the secret sea world , like "Deep sea Looks for missing persons", "Abyss" and so on pieces. Different kind is more practical than them and is more enjoyable, however,"Blue sea Blue sky" is most beautiful. It is comes from the photography the detail—under these ice lake approximate shadow bubble and playing with the porpoise when it is clearly obvious wave sense of reality. In the black and white picture palpitates the school of fish, ithas the perfect description.
比之静态场面蕴藏美感的大手笔，一些水下摄影通过巧妙的用光更能在静谧的另类世界中打造出了一种美轮美奂的意境。当然，在此之后也有不少影片再次的将这神密的海底世界拍摄下来，如《深海寻人》、《深渊》等片。只不过比他们的别样写实与写意，《碧海蓝天》是最美丽的。而这样的美是来自拍摄的细节：那些冰湖下的近似暗影的小气泡;与海豚嬉戏时清楚可见的水波质感;黑白影像里悸动不已的鱼群，都有着完美的描绘。
We even may abandon the color, like that at the beginning of this movie fills the entire screen darkness. Then in the black-and-white movie presents, the boundless sea appears and become limitless. Nearby what the ear surrounds is porpoise that sinks long neighing, as soon as it encircles and proliferates In this in the world, this is in sharp contrast to see distinctively unexpectedly “blue”. However, the sea level reflection effects and lets light of the silver coin sparkle secretly. Obviously, this accident's view has different kind washes the completely cosmetics happiness. While with light great change, an Enzuo's little brother leap on time. Bulk is outspoken blue appearance in view at present. The movie from hereafter started the strange journey. Not solely it has the majority spatial lens feature article and when it returns to the Greek former home grounds to be heavy “tours” time. That surmounts Yak line of sight the navigation photography, which passed over gently and swiftly summit on the straight cliff from the sea and was spirited incomparably shocks. Only then manifests when the static view bright “moves”, this kind of esthetic sense will be remembered only then always. In the picture structure's design, a Lu gram Beisong-like ratio of middle to outside sea day color frequency is present. The sky, the sea, the land tertiary complement one another enjoyably In the scene alternated, let the view, in the scene alternated experiences the extraordinary vision to enjoy.
我们甚至可以抛开色彩，就如这部电影的开始充满全屏的黑暗，接着黑白电影中出现苍茫的海，无边无际。耳边环绕的是海豚那沉长的嘶鸣，一圈一圈，扩散开来。在这黑白分明的世界里，竟然可以看出鲜明的“蓝”。 而海面的反光效果，让银币之光暗暗闪耀。显然，这意外的景致有着别样洗尽铅华的美好。而随着光的巨变，恩佐的小弟一跃而上时。大块的蓝毫无保留的出现在了观者的眼前。影片从此后开始了奇异的旅程。不单单有大部分的空镜头特写，且当回到希腊故地重“游”时。那超越雅克视线的航行拍摄，从海洋掠过直上峭壁之巅，激昂得令人无比震撼。只有在静态的景致里体现出鲜活的“动”时，这种美感才会被铭记。在画面结构的设计上，吕克贝松式的黄金分割海天一色频现，天空、海洋、土地的三重写意相辅相成。让观者在场景的更迭中体验到了非凡的视觉享受。
Speaking of a such movie, whenever the porpoise sound and Sachs seize an opportunity to resound nearby your ear,therefor, in picture time it appearance lovable porpoise at the right moment. The sound and the light shade then mutually combine, they become the extremely high visual and listening pleasure. Certainly, do not forget that this was still the sea which the flaw humanity has a good swim. When actor Yak becomes a sea part blends with it, this movie's esthetic sense has achieved the acme.
对于这样的一部电影而言，每当海豚音和萨克斯不失时机的在你耳旁响起，而画面上适时的出现可爱的海豚时，声音与光影便相互合二为一，成为极高的视听享受。当然，别忘记这仍是缺失人类畅游的海洋。当男主角雅克成为海洋一部分与之交融时，这部电影的美感可谓达到了极致。
In the movie, huge blue color blots out the sky a piece by piece, even there is no scruples unfolds along with lens' passage far and near on the silver screen. Let in movie's all fill the visual esthetic sense. However, Sachs's wonderful tonality under the Airuike Scylla's making, it appears with the movie quite complements each other. Because of this reason, the list was looking at least from the music and picture union's angle that Lu gram Beisong becomes famous quite startled.
影片中一片片巨大的蓝色铺天盖地，甚至毫无顾忌的随着镜头的远近推移在银幕上展现。让电影里的一切充满了视觉美感。而萨克斯的美妙音调在艾瑞克·赛拉的打造下，显得与影片颇为相得益彰。正因为此，至少单从音画结合的角度看，吕克·贝松的成名秀颇为惊人，且饱含诗意。
It tastes carefully about the scene which savors the first Yak to dive. Rhythm intense dubbing in music, in addition extends from the cabin with pats the slow mirror. It all made fully the time for the atmosphere exaggeration. while after launching, visual angle from after the racket pulls the tracking shot, it turned the bird's-eye shot fixed lens. That kind gazes after Yak to go far away, submerges the deep sea the no use feeling to start in the dark non-boundary seabed spread. As if it is indicating that the diving in Yak's final outcome, should be belongs to the sea to have not returns.
细细的品味第一场雅克潜水的场面。节奏感强烈的配乐，加之从船舱延伸出的跟拍慢镜，都为气氛的渲染做足了功夫。而下水后，视觉角度从跟拍后拉的移动镜头，变成了俯拍的固定镜头。那种目送雅克远去，潜入深海的无助感开始在暗无边界的海底蔓延。这似乎都在预示着潜水之于雅克的最终结果，应该是归于海洋的有去无回。
Certainly, it cannot forget that “dream of the water” the scene appears effect. Saying from some kind of angle, this is Lu gram Beisong as the direction manifestation of imagination. In this scene's special effect this time is looking like did not calculate as before falls behind perhaps crude. The development class person or household who refuses to move and bargains for unreasonably high compensation when the land is requisitioned for a construction project's light shade fluctuates it many year later is not also more inferior. Even many years later, the Michael island becomes a fugitive the place, if that high tech densely covered bedroom you are not in addition accidental. Dreamland's in this water all, it has the enormous merit obviously.
当然，不能忘记那个“水之梦”场景横空出世般的效果。从某种角度上讲，这是吕克·贝松作为导演的想象力之体现。这个场面里的特效在今时今日看来依旧不算落伍或是简陋。展现流动感的光影变幻比之多年后的一切亦毫不逊色。甚至在多年后迈克尔·贝让克隆岛成为逃亡地时，那个高科技密布的卧室如果另你毫不意外的话。这个水之梦境中的一切，显然有着极大的功劳。
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